Zone B Exhibition
Curatorial Statement
HONEST
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A recent editorial in the Globe & Mail comments on how art should function: "art is by its nature subversive, challenging, provoking, aggravating, questioning." This may be stating the obvious but claiming a definition as common knowledge is another thing. It suggests there is consensus on what constitutes important art, that it is first and foremost transgressive and contentious. The idea of 'real art' as transgressive should be a foreshadowing of what to expect from Scotiabank Nuit Blanche 2008. I would further complicate matters by saying all art is abstract, yet all art is also concrete, subsuming the contradiction in terms especially when performative art is presented in the concrete jungle of Toronto's business district.
In Zone B, I propose a series of performative art events and installations in spaces that will skewer audience expectations by blurring the lines between artist/performer and audience member. Many of the artists in Zone B produce works that demand a close proximity of artwork to the viewer. An unusual intimacy with the audience is built in a variety of situations.
Zone B integrates a range of artists, cultural producers, actors, ideas, platforms and media to both complicate and facilitate a range of art forms, all, to varying degrees, subversive, challenging and aggravating to audiences.
— Wayne Baerwaldt
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 Photo by Robyn Cumming |
Biography
Wayne Baerwaldt is currently the Director and Curator of Exhibitions at the Illingworth Kerr Gallery at the Alberta College of Art and Design. Previously, he was the director of The Power Plant in Toronto and Plug In ICA in Winnipeg. Most notably, he also acted as Co-commissioner and Co-curator with Jon Tupper for Janet Cardiff and George Bures Miller's double award-winning production, The Paradise Institute, at the 49th Venice Biennale. It marked the first time in 50 years of Canadian participation at the international art exhibition that official prizes have been awarded to Canadian representatives. In the summer of 2008, he will be curating the Shuvinai Ashoona and John Noestheden for the Stadthimmel (city sky) for Klaus Littmann's major public art project in Basel, Switzerland. His writing is published widely and Baerwaldt is the only Canadian member of the Exhibition Committee of Independent Curators International in New York.
Commissioned Projects
Shuvinai Ashoona, John Noestheden, Earth and Sky,
Kelly Mark, Horroridor,
Ricardo Okaranza, Toronto Nocturnes I,
Noam Gonick, Commerce Court,
Magnetic Laboratorium / Marisela La Grave, Business Class,
Barr Gilmore, Benefit of the Doubt,
Matt Masters & Terrance Houle, 2boys.tv, Don Coyote & Quixotic,
Thierry Marceau, The Greatest Falls,
Larry McDowell, Corvidae Ibidem,
Rita McKeough, Alternator,
Open Call Projects
John Oswald, STILLNESSENCE,
Farah Yusuf, Alex Stephan, r u part of the art?,
Byron Kent Wong, the common and the tense (a sound ecology),
Steve Heimbecker, Turbulence Sound Matrix: Signe,
Amanta Scott, 15 Minutes of Fame,